When Globe-Trotter first encountered the work of Anotherview, a Milan-based collective known for turning 24-hour video recordings into immersive cinematic objects, there was an instant resonance. Both share a deep-rooted fascination with travel, time and the stories that unfold along the way. One captures the poetry of travel through handcrafted luggage; the other preserves the stillness of place through a lens fixed on the world.
When Globe-Trotter first encountered the work of Anotherview, a Milan-based collective known for turning 24-hour video recordings into immersive cinematic objects, there was an instant resonance. Both share a deep-rooted fascination with travel, time and the stories that unfold along the way. One captures the poetry of travel through handcrafted luggage; the other preserves the stillness of place through a lens fixed on the world.
This shared philosophy has culminated in A Window to the World — Globe-Trotter’s latest window installation, created in collaboration with Anotherview. A quiet yet compelling reminder that travel is as much about reflection as it is about motion.
This shared philosophy has culminated in A Window to the World — Globe-Trotter’s latest window installation, created in collaboration with Anotherview. A quiet yet compelling reminder that travel is as much about reflection as it is about motion.
“Design has always been about more than form for me, it’s about emotional resonance,” says Marco Tabasso, one of Anotherview’s founders. With a background at Galleria Rossana Orlandi, Marco spent over 15 years reviewing innovative design concepts, drawn in particular to those that blurred the lines between object and experience. “I became fascinated with how the view from a window could influence not just a space, but our sense of self. What happens when that view is from another place, another rhythm, another life?” The answer, Anotherview discovered, is transformation. Their windows do not impose narratives. Instead, they record the slow, layered, unfolding of reality. “In a world shaped by speed and noise, our work is about slowing down,” Marco explains. “It’s a quiet call to observe and return to stillness.”
“Design has always been about more than form for me, it’s about emotional resonance,” says Marco Tabasso, one of Anotherview’s founders. With a background at Galleria Rossana Orlandi, Marco spent over 15 years reviewing innovative design concepts, drawn in particular to those that blurred the lines between object and experience. “I became fascinated with how the view from a window could influence not just a space, but our sense of self. What happens when that view is from another place, another rhythm, another life?” The answer, Anotherview discovered, is transformation. Their windows do not impose narratives. Instead, they record the slow, layered, unfolding of reality. “In a world shaped by speed and noise, our work is about slowing down,” Marco explains. “It’s a quiet call to observe and return to stillness.”
This approach deeply resonated with Globe-Trotter. While the brand has long been known for its handcrafted luggage, it also champions the journey, not only in movement, but in meaning. “Travel is central to everything we do,” Marco continues. “Not just the visible part through the documentation of a 24-hour view, but the invisible one too: the people, the places and the unexpected moments along the way.”
This approach deeply resonated with Globe-Trotter. While the brand has long been known for its handcrafted luggage, it also champions the journey, not only in movement, but in meaning. “Travel is central to everything we do,” Marco continues. “Not just the visible part through the documentation of a 24-hour view, but the invisible one too: the people, the places and the unexpected moments along the way.”
It was through this shared lens that a new idea emerged. “When we encountered Globe-Trotter, something clicked,” Marco recalls. “Their suitcases reminded us of the golden age of travel, but they also felt like vessels for something more.” That idea became the starting point for a unique project entitled Memory of a Travel, a distinct departure from Anotherview’s main window series, using custom Globe-Trotter cases that house the 8K films. When opened, the case becomes a cinematic object in itself, revealing an immersive journey through screen and memory.
It was through this shared lens that a new idea emerged. “When we encountered Globe-Trotter, something clicked,” Marco recalls. “Their suitcases reminded us of the golden age of travel, but they also felt like vessels for something more.” That idea became the starting point for a unique project entitled Memory of a Travel, a distinct departure from Anotherview’s main window series, using custom Globe-Trotter cases that house the 8K films. When opened, the case becomes a cinematic object in itself, revealing an immersive journey through screen and memory.
While Memory of a Travel shares elements with Anotherview’s window series, it marks a bold new direction. The beginning of a broader investigation into the intersection of time, film and art within interior design, a direction that opens up new possibilities and ventures into uncharted creative territory. It’s a seamless blend of form and feeling. The iconic Globe-Trotter silhouette becomes a container not just for belongings, but for moments, for light moving across walls, shadows shifting, strangers passing. The emotional element of travel made tangible. As for what always finds its way into Anotherview’s luggage? Extension cords. “Power sources are almost never where you expect them to be, especially in remote locations.” Installed at Globe-Trotter stores, A Window to the World brings this philosophy into sharp focus. Passersby are invited to pause, to look in, to imagine. What if a suitcase didn’t just carry you to a destination, but contained one inside? What if travel was as much about stillness as it is about motion?
While Memory of a Travel shares elements with Anotherview’s window series, it marks a bold new direction. The beginning of a broader investigation into the intersection of time, film and art within interior design, a direction that opens up new possibilities and ventures into uncharted creative territory. It’s a seamless blend of form and feeling. The iconic Globe-Trotter silhouette becomes a container not just for belongings, but for moments, for light moving across walls, shadows shifting, strangers passing. The emotional element of travel made tangible. As for what always finds its way into Anotherview’s luggage? Extension cords. “Power sources are almost never where you expect them to be, especially in remote locations.” Installed at Globe-Trotter stores, A Window to the World brings this philosophy into sharp focus. Passersby are invited to pause, to look in, to imagine. What if a suitcase didn’t just carry you to a destination, but contained one inside? What if travel was as much about stillness as it is about motion?
“This installation is not just about escape,” Tati from Anotherview says. “It’s about remembering. Everyone has a place they carry with them. This is a way of returning to it, quietly, thoughtfully and inviting others to do the same.” And as for where Anotherview might go next? “The list is endless,” Marco laughs. “The Moon, perhaps.” Visit the A Window to the World installation at Globe-Trotter stores in Burlington Arcade, Paris, and Ginza to experience the journey yourself.
“This installation is not just about escape,” Tati from Anotherview says. “It’s about remembering. Everyone has a place they carry with them. This is a way of returning to it, quietly, thoughtfully and inviting others to do the same.” And as for where Anotherview might go next? “The list is endless,” Marco laughs. “The Moon, perhaps.” Visit the A Window to the World installation at Globe-Trotter stores in Burlington Arcade, Paris, and Ginza to experience the journey yourself.